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Audio Assassin. Mercenary for Music.

I'm a film composer, music producer, and bassist based in Mumbai. Most people know me from Gully Boy (2019) — I scored that as part of Salvage Audio Collective, a production company I co-founded and have since departed. I also play bass in The Yellow Diary.
My work covers films, OTT series, advertising, and art installations. On the film side: Gully Boy, Yeh Ballet, Shabaash Mithu, Guilty. OTT: Indian Predator on Netflix, Whack Girls, Inaam. For advertising I've written music for brands including Cadbury, Boost, Carmesi, Spinny, and Havmor. I've also scored long-form pieces for Nalini Malani — shown at the National Gallery of Scotland, dOCUMENTA 13, and currently in Venice.
“I DON’T MAKE MUSIC. I BUILD SONIC ARCHITECTURE.”
I also direct live music. I've worked with Dino James, Taaruk Raina, and Outstation, among others.
Gully Boy grossed over ₹240 crore worldwide. Nalini Malani's 'In Search of Vanished Blood', which I scored, spanned 10,000 sq ft of the National Gallery of Scotland.
I trained at Swarnabhoomi Academy of Music and used to work out of Cotton Press Studio on Elphinston Road, Mumbai.

Diploma in music performance — bass, theory, and production. Where I learned the craft from the ground up.

Production company started with fellow Swarnabhoomi alumni. We won an Asian Music Award and a Filmfare Award before I moved on.

Composed long-form music for 'In Search of Vanished Blood', which spanned 10,000 sq ft of the National Gallery of Scotland after its dOCUMENTA 13 debut.
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Composed the score during my time with Salvage Audio Collective. The film grossed over ₹240 crore and became a cultural moment for Indian hip-hop.
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Score for Sooni Taraporevala's narrative film about two boys from Mumbai's slums chasing classical ballet.
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Score for Ruchi Narain's drama on consent and complicity, set in an elite Indian college.
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Biopic on cricketer Mithali Raj. Score balances biographical warmth with sports-film tension.
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True-crime docuseries score. Tonal restraint over genre-typical aggression.
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Joined as bassist for the alternative pop-rock five-piece signed to Sony Music India. 455K+ monthly Spotify listeners.
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Second installment in the Indian Predator anthology. Continued the restrained scoring approach from Butcher of Delhi.
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Long-form score for Nalini Malani's Venice Biennale piece. Continues a multi-year collaboration with the artist.
Stuart DaCosta is a Mumbai-based film composer known for scoring Gully Boy (2019), Yeh Ballet (2020, Netflix), and the Indian Predator docuseries (Netflix). He is also the bassist of The Yellow Diary, an alternative pop-rock band signed to Sony Music India with 455K+ monthly Spotify listeners.
Stuart DaCosta composed the score for Gully Boy (2019) as part of Salvage Audio Collective, a production company he co-founded and has since departed. The film, directed by Zoya Akhtar, grossed over ₹240 crore worldwide.
Stuart DaCosta is the principal bassist of The Yellow Diary, a five-piece alternative pop-rock band from Mumbai signed to Sony Music India. He joined the band in 2017.
You can submit an inquiry at studirt.com/contact. Stuart reviews every inquiry within 48 hours and follows up if your project is a fit.
Stuart produces film scores, advertising music (Boost, Carmesi, Havmor, and more), OTT content, sound design, and live music direction. His work spans cinema, commercial campaigns, immersive art installations, and independent music.
The Yellow Diary is a five-piece alternative pop-rock band from Mumbai, signed to Sony Music India. Known for poetry-infused rock with electronic soundscapes, the band has 455K+ monthly Spotify listeners and key tracks include Marz, Rab Raakha, and Roz Roz (ft. Shilpa Rao).
Have a film, campaign, or project that needs a sonic identity? Let’s talk.