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Audio Assassin. Mercenary for Music.

I'm a film composer, music producer, and bassist based in Mumbai. Most people know me from Gully Boy (2019) — I scored that as part of Salvage Audio Collective, the Mumbai production collective where I was a member from 2016 to 2023 before going independent as STUDIRT. I also play bass in The Yellow Diary.
My work covers films, OTT series, advertising, and art installations. On the film side: Gully Boy, Yeh Ballet, Shabaash Mithu, Guilty. OTT: Indian Predator on Netflix, Waack Girls, Inaam. For advertising I've written music for brands including Cadbury, Boost, Carmesi, Spinny, and Havmor. I've also scored long-form pieces for Nalini Malani — shown at the National Gallery of Scotland, dOCUMENTA 13, and currently in Venice.
“A record that feels like a quiet conversation between old friends; tender, nostalgic and full of honesty.”
I also direct live music. I've worked with Dino James, Taaruk Raina, and Outstation, among others.
Gully Boy grossed over ₹240 crore worldwide. Nalini Malani's 'In Search of Vanished Blood', which I scored, spanned 10,000 sq ft of the National Gallery of Scotland.
I trained at Swarnabhoomi Academy of Music and used to work out of Cotton Press Studio on Elphinston Road, Mumbai.
As featured in

Diploma in music performance — bass, theory, and production. Where I learned the craft from the ground up.

Stuart was a member of this Mumbai production collective from 2016 to 2023. It won the Asian Film Award and a Filmfare Award for Gully Boy's background score, before he went independent as STUDIRT.

Composed long-form music for 'In Search of Vanished Blood', which spanned 10,000 sq ft of the National Gallery of Scotland after its dOCUMENTA 13 debut.

Composed the score during my time with Salvage Audio Collective. The film grossed over ₹240 crore and became a cultural moment for Indian hip-hop.

Score for Sooni Taraporevala's narrative film about two boys from Mumbai's slums chasing classical ballet.

Score for Ruchi Narain's drama on consent and complicity, set in an elite Indian college.

Biopic on cricketer Mithali Raj. Score balances biographical warmth with sports-film tension.

Second installment in the Indian Predator anthology, scored with Salvage Audio Collective. Continued the restrained scoring approach from Butcher of Delhi.

True-crime docuseries score. Tonal restraint over genre-typical aggression.

Joined as bassist for the alternative pop-rock five-piece signed to Sony Music India.

Long-form score for Nalini Malani's Venice Biennale piece. Continues a multi-year collaboration with the artist.
Debut album on Sony Music India (Nov 2025) after a decade of singles and EPs. Stuart's first full-length record with the band; bass and composition across nine tracks.
Have a film, campaign, or project that needs a sonic identity? Let’s talk.